 |
Trivium |
|
In The Court Of The Dragon (2021) |
 |
 |
Heavy Metal, Metalcore, Progressive Metal, Thrash Metal |
- |
0 |
|
Epica |
|
Ωmega Alive (2021) [Live] |
|
|
Power Metal, Progressive Metal, Symphonic Metal |
- |
0 |
|
Shaman |
|
Rescue (2022) |
|
|
Power Metal, Progressive Metal |
- |
0 |
|
Cave In |
|
Heavy Pendulum (2022) |
|
|
Alternative Metal, Stoner Metal, Atmospheric Sludge Metal, Post-Hardcore, Progressive Metal |
- |
0 |
|
Xandria |
|
The Wonders Still Awaiting (2023) |
|
|
Power Metal, Progressive Metal, Symphonic Metal |
- |
0 |
|
Kamelot |
|
The Awakening (2023) |
|
|
Power Metal, Progressive Metal, Symphonic Metal |
95 |
1 |
|
Leah McHenry |
|
The Glory & The Fallen (2024) |
|
|
Ambient Metal, Celtic Metal, Folk Metal, Neoclassical Metal, Power Metal, Progressive Metal, Symphonic Metal |
- |
0 |
|
Simone Simons |
|
Vermillion (2024) |
|
|
Heavy Metal, Progressive Metal, Symphonic Metal |
- |
0 |
|
Bastard Noise / Oldest |
|
Oldest & Bastard Noise (2025) [Split] |
|
|
Noise, Power Electronics, Dark Ambient, Avant-garde Metal, Progressive Metal, Thrash Metal |
- |
0 |
|
Epica |
|
Aspiral (2025) |
|
|
Power Metal, Progressive Metal, Symphonic Metal |
- |
0 |
|
Alissa White-Gluz |
|
The Room Where She Died (2025) [Single] |
|
|
Progressive Metal, Melodic Death Metal, Symphonic Metal |
- |
0 |
