 |
Enslaved |
|
Heimdal (2023) |
 |
 |
Progressive Black Metal |
- |
0 |
|
Cryalot |
|
Labyrinth (Neggy Gemmy Remix) (2023) [Single] |
|
|
Vocal Trance, Progressive Trance |
- |
0 |
|
Kamelot |
|
The Awakening (2023) |
|
|
Power Metal, Progressive Metal, Symphonic Metal |
95 |
1 |
|
Leah McHenry |
|
The Glory & The Fallen (2024) |
|
|
Ambient Metal, Celtic Metal, Folk Metal, Neoclassical Metal, Power Metal, Progressive Metal, Symphonic Metal |
- |
0 |
|
MGMT |
|
Loss of Life (2024) |
|
|
Neo-Psychedelia, Progressive Pop, Indie Rock, Psychedelic Pop, Psychedelic Folk, Dream Pop |
- |
0 |
|
Zombi |
|
Direct Inject (2024) |
|
|
Neo-Prog, Progressive Electronic, Space Rock |
- |
0 |
|
Simone Simons |
|
Vermillion (2024) |
|
|
Heavy Metal, Progressive Metal, Symphonic Metal |
- |
0 |
|
Bastard Noise / Oldest |
|
Oldest & Bastard Noise (2025) [Split] |
|
|
Noise, Power Electronics, Dark Ambient, Avant-garde Metal, Progressive Metal, Thrash Metal |
- |
0 |
|
Epica |
|
Aspiral (2025) |
|
|
Power Metal, Progressive Metal, Symphonic Metal |
- |
0 |
|
Alissa White-Gluz |
|
The Room Where She Died (2025) [Single] |
|
|
Progressive Metal, Melodic Death Metal, Symphonic Metal |
- |
0 |
