 |
Today Is the Day |
|
No Good to Anyone (2020) |
 |
 |
Noise Rock, Post-Metal, Sludge Metal, Post-Hardcore |
- |
0 |
|
Wovenhand |
|
Silver Sash (2022) |
|
|
Psychedelic Rock, Industrial Rock, Gothic Country, Noise Rock, Folk Rock, Gothic Rock |
- |
0 |
|
Erection House |
|
Feels of Correction (2023) |
|
|
Noise Rock |
- |
0 |
|
Haystack |
|
Doomsday Goes Away (2024) |
|
|
Hard Rock, Noise Rock, Slacker Rock, Garage Punk |
- |
0 |
|
Kim Gordon |
|
The Collective (2024) |
|
|
Industrial Hip Hop, Experimental Rock, Noise Rock, Trap, Industrial Rock, Power Noise, Electro-Industrial, No Wave |
- |
0 |
|
Melvins |
|
Tarantula Heart (2024) |
|
|
Sludge Metal, Noise Rock, Experimental Rock |
- |
0 |
|
Melvins / Boris |
|
Twins of Evil (2024) [Split] |
|
|
Sludge Metal, Drone Metal, Noise Rock, Post-Metal |
- |
0 |
|
Melvins |
|
Thunderball (2025) |
|
|
Sludge Metal, Noise Rock, Experimental Rock, Stoner Metal |
- |
0 |
|
Today Is the Day |
|
Never Give In (2025) |
|
|
Noise Rock, Post-Hardcore, Experimental Rock |
- |
0 |
|
Fugazi |
|
Albini Sessions (Benefit for Letters Charity) (2026) |
|
|
Post-Hardcore, Noise Rock |
- |
0 |
