 |
Today Is the Day |
|
Parasite (2017) [Single] |
 |
 |
Noise Rock |
- |
0 |
|
BIG | BRAVE |
|
ARDOR (2017) |
|
|
Drone Metal, Noise Rock, Atmospheric Sludge Metal, Post-Rock |
- |
0 |
|
Unsane |
|
Sterilize (2017) |
|
|
Noise Rock, Post-Hardcore |
- |
0 |
|
KEN mode |
|
Fractures in Adults (2017) [Single] |
|
|
Noise Rock, Post-Hardcore, Sludge Metal |
- |
0 |
|
Sleigh Bells |
|
Kid Kruschev (2017) [EP] |
|
|
Noise Pop, Electropop |
- |
0 |
|
Boris |
|
Live at Third Man Records (2017) [Live] |
|
|
Stoner Metal, Heavy Psych, Noise Rock |
- |
0 |
|
Intensive Care |
|
Everything Has Its Price (2018) [EP] |
|
|
Industrial Metal, Noise Rock, Power Electronics |
- |
0 |
|
Melvins |
|
Pinkus Abortion Technician (2018) |
|
|
Alternative Rock, Stoner Rock, Noise Rock, Experimental Rock |
- |
0 |
|
Suppression |
|
Placebo Reality (2018) |
|
|
Noisecore, Noisegrind, Powerviolence, Grindcore |
- |
0 |
|
Full of Hell / Intensive Care |
|
Full of Hell / Intensive Care (2018) [Split] |
|
|
Grindcore, Death Metal, Noise, Industrial Metal, Noise Rock, Power Electronics |
- |
0 |
|
Young Widows |
|
Decayed: Ten Years of Cities, Wounds, Lightness, and Pain (2018) [Compilation] |
|
|
Noise Rock, Post-Hardcore |
- |
0 |
|
Death Grips |
|
Year of the Snitch (2018) |
|
|
Experimental Hip Hop, Abstract Hip Hop, Synth Punk, Glitch Hop, Noise Rock, Experimental Rock, Electro-Industrial, Industrial Hip Hop |
- |
0 |
|
Nothing |
|
Dance on the Blacktop (2018) |
|
|
Shoegaze, Dream Pop, Noise Pop |
- |
0 |
|
KEN mode |
|
Loved (2018) |
|
|
Noise Rock, Post-Hardcore, Sludge Metal |
- |
0 |
|
Endon |
|
Boy Meets Girl (2018) |
|
|
Avant-garde Metal, Noisecore, Noise Rock |
- |
0 |
|
Daughters |
|
You Won't Get What You Want (2018) |
|
|
Noise Rock, No Wave, Industrial Rock |
100 |
1 |
|
Full of Hell |
|
Smoldering Prism (2018) [Single] |
|
|
Noise, Sound Collage, Death Industrial |
- |
0 |
|
Last Days of Humanity |
|
The Complicated Reflex and Depraved Scent of the Retrograde Reflux in Formula (2019) [EP] |
|
|
Goregrind, Gorenoise |
- |
0 |
|
BIG | BRAVE |
|
A Gaze Among Them (2019) |
|
|
Post-Metal, Drone Metal, Atmospheric Sludge Metal, Noise Rock |
- |
0 |
|
Full of Hell |
|
Weeping Choir (2019) |
|
|
Grindcore, Death Metal, Noise |
- |
0 |
|
Kim Gordon |
|
No Home Record (2019) |
|
|
Post-Industrial, Noise Rock, Experimental Rock, Electro-Industrial, Minimal Synth, Synth Punk |
- |
0 |
|
Swans |
|
leaving meaning. (2019) |
|
|
Experimental Rock, Post-Rock, Noise Rock, Drone, Neofolk, Ambient |
- |
0 |
|
clipping. |
|
The Deep (2019) [EP] |
|
|
Experimental Hip Hop, Abstract Hip Hop, Glitch Hop, Detroit Techno, Conscious Hip Hop, Industrial Hip Hop, Dark Ambient |
- |
0 |
|
Last Days of Humanity / Audiorrea |
|
Last Days of Humanity / Audiorrea (2020) [Split] |
|
|
Goregrind, Gorenoise, Deathgrind |
- |
0 |
|
Suppression |
|
Fractured Landscape (2020) [EP] |
|
|
Noisecore |
- |
0 |
|
Bastard Noise |
|
"The Birthdays Continue..." (2020) [Live] |
|
|
Noise |
- |
0 |
|
Wallows |
|
Remote (2020) [EP] |
|
|
Indie Pop, Indie Rock, Noise Pop, Hypnagogic Pop |
- |
0 |
|
Last Days of Humanity |
|
4:23 Minutes Body Disposal Missing Limbs Rennes 2003 (2020) [EP] |
|
|
Goregrind, Gorenoise |
- |
0 |
|
Patareni |
|
Infuzija Iluzija (2021) [Live] |
|
|
Grindcore, Noisegrind, Noisecore |
- |
0 |
|
Merzbow |
|
Mukomodulator (2021) |
|
|
Harsh Noise, Power Noise |
- |
0 |
