 |
Death Grips |
|
Year of the Snitch (2018) |
 |
 |
Experimental Hip Hop, Abstract Hip Hop, Synth Punk, Glitch Hop, Noise Rock, Experimental Rock, Electro-Industrial, Industrial Hip Hop |
- |
0 |
|
Nothing |
|
Dance on the Blacktop (2018) |
|
|
Shoegaze, Dream Pop, Noise Pop |
- |
0 |
|
KEN mode |
|
Loved (2018) |
|
|
Noise Rock, Post-Hardcore, Sludge Metal |
- |
0 |
|
Endon |
|
Boy Meets Girl (2018) |
|
|
Avant-garde Metal, Noisecore, Noise Rock |
- |
0 |
|
Daughters |
|
You Won't Get What You Want (2018) |
|
|
Noise Rock, No Wave, Industrial Rock |
100 |
1 |
|
Full of Hell |
|
Smoldering Prism (2018) [Single] |
|
|
Noise, Sound Collage, Death Industrial |
- |
0 |
|
Last Days of Humanity |
|
The Complicated Reflex and Depraved Scent of the Retrograde Reflux in Formula (2019) [EP] |
|
|
Goregrind, Gorenoise |
- |
0 |
|
Gore |
|
Revanche (2019) |
|
|
Math Rock, Noise Rock |
- |
0 |
|
BIG | BRAVE |
|
A Gaze Among Them (2019) |
|
|
Post-Metal, Drone Metal, Atmospheric Sludge Metal, Noise Rock |
- |
0 |
|
Full of Hell |
|
Weeping Choir (2019) |
|
|
Grindcore, Death Metal, Noise |
- |
0 |
|
Kim Gordon |
|
No Home Record (2019) |
|
|
Post-Industrial, Noise Rock, Experimental Rock, Electro-Industrial, Minimal Synth, Synth Punk |
- |
0 |
|
Swans |
|
leaving meaning. (2019) |
|
|
Experimental Rock, Post-Rock, Noise Rock, Drone, Neofolk, Ambient |
- |
0 |
|
Haystack |
|
The Sacrifice (2019) |
|
|
Noise Rock, Post-Hardcore |
- |
0 |
|
Today Is the Day |
|
No Good to Anyone (2020) |
|
|
Noise Rock, Post-Metal, Sludge Metal, Post-Hardcore |
- |
0 |
|
Last Days of Humanity / Audiorrea |
|
Last Days of Humanity / Audiorrea (2020) [Split] |
|
|
Goregrind, Gorenoise, Deathgrind |
- |
0 |
|
Suppression |
|
Fractured Landscape (2020) [EP] |
|
|
Noisecore |
- |
0 |
|
Bastard Noise |
|
"The Birthdays Continue..." (2020) [Live] |
|
|
Noise |
- |
0 |
|
Wallows |
|
Remote (2020) [EP] |
|
|
Indie Pop, Indie Rock, Noise Pop, Hypnagogic Pop |
- |
0 |
|
Last Days of Humanity |
|
4:23 Minutes Body Disposal Missing Limbs Rennes 2003 (2020) [EP] |
|
|
Goregrind, Gorenoise |
- |
0 |
|
Patareni |
|
Infuzija Iluzija (2021) [Live] |
|
|
Grindcore, Noisegrind, Noisecore |
- |
0 |
|
Merzbow |
|
Mukomodulator (2021) |
|
|
Harsh Noise, Power Noise |
- |
0 |
|
Death Grips |
|
Gmail and the Restraining Orders (2021) [EP] |
|
|
Sound Collage, Free Improvisation, Glitch, Noise, Synth Punk, Digital Hardcore |
- |
0 |
|
Bastard Noise |
|
The Skull Scriptures (2021) |
|
|
Power Electronics, Harsh Noise, Death Industrial, Dark Ambient |
- |
0 |
|
Bastard Noise / Merzbow |
|
Retribution by All Other Creatures (2022) |
|
|
Death Industrial, Harsh Noise, Drone |
- |
0 |
|
Vatican Gun Club |
|
Dedacited (2022) [EP] |
|
|
Experimental, Industrial, Improvisation, Noise, Classical, Dub, Abstract, Avant-garde, ... |
- |
0 |
|
Merzbow |
|
Fantail Vision (2022) [Boxed set] |
|
|
Noise |
- |
0 |
|
파란노을 (Parannoul) |
|
After the Magic (2023) |
|
|
Shoegaze, Indie Rock, Dream Pop, Post-Rock, Indietronica, Emo, Noise Pop, Neo-Psychedelia |
- |
0 |
|
Bastard Noise |
|
Mantra of Desperation (2023) |
|
|
Death Industrial, Noise, Power Electronics |
- |
0 |
|
Suppression / Bastard Noise |
|
Infernal Legions (2023) |
|
|
Powerviolence, Noise |
- |
0 |
|
Cryalot |
|
Hell Is Here (Melt-Banana Remix) (2023) [Single] |
|
|
Experimental Rock, Noise Pop |
- |
0 |
