 |
Death Grips |
 |
Year of the Snitch (2018) |
 |
 |
Experimental Hip Hop, Abstract Hip Hop, Synth Punk, Glitch Hop, Noise Rock, Experimental Rock, Electro-Industrial, Industrial Hip Hop |
- |
0 |
 |
Nothing |
 |
Dance on the Blacktop (2018) |
 |
 |
Shoegaze, Dream Pop, Noise Pop |
- |
0 |
 |
KEN mode |
 |
Loved (2018) |
 |
 |
Noise Rock, Post-Hardcore, Sludge Metal |
- |
0 |
 |
Endon |
 |
Boy Meets Girl (2018) |
 |
 |
Avant-garde Metal, Noisecore, Noise Rock |
- |
0 |
 |
Daughters |
 |
You Won't Get What You Want (2018) |
 |
 |
Noise Rock, No Wave, Industrial Rock |
100 |
1 |
 |
Full of Hell |
 |
Smoldering Prism (2018) [Single] |
 |
 |
Noise, Sound Collage, Death Industrial |
- |
0 |
 |
Last Days of Humanity |
 |
The Complicated Reflex and Depraved Scent of the Retrograde Reflux in Formula (2019) [EP] |
 |
 |
Goregrind, Gorenoise |
- |
0 |
 |
Gore |
 |
Revanche (2019) |
 |
 |
Math Rock, Noise Rock |
- |
0 |
 |
BIG | BRAVE |
 |
A Gaze Among Them (2019) |
 |
 |
Post-Metal, Drone Metal, Atmospheric Sludge Metal, Noise Rock |
- |
0 |
 |
Full of Hell |
 |
Weeping Choir (2019) |
 |
 |
Grindcore, Death Metal, Noise |
- |
0 |
 |
Kim Gordon |
 |
No Home Record (2019) |
 |
 |
Post-Industrial, Noise Rock, Experimental Rock, Electro-Industrial, Minimal Synth, Synth Punk |
- |
0 |
 |
Swans |
 |
leaving meaning. (2019) |
 |
 |
Experimental Rock, Post-Rock, Noise Rock, Drone, Neofolk, Ambient |
- |
0 |
 |
Haystack |
 |
The Sacrifice (2019) |
 |
 |
Noise Rock, Post-Hardcore |
- |
0 |
 |
Today Is the Day |
 |
No Good to Anyone (2020) |
 |
 |
Noise Rock, Post-Metal, Sludge Metal, Post-Hardcore |
- |
0 |
 |
Last Days of Humanity / Audiorrea |
 |
Last Days of Humanity / Audiorrea (2020) [Split] |
 |
 |
Goregrind, Gorenoise, Deathgrind |
- |
0 |
 |
Suppression |
 |
Fractured Landscape (2020) [EP] |
 |
 |
Noisecore |
- |
0 |
 |
Bastard Noise |
 |
"The Birthdays Continue..." (2020) [Live] |
 |
 |
Noise |
- |
0 |
 |
Wallows |
 |
Remote (2020) [EP] |
 |
 |
Indie Pop, Indie Rock, Noise Pop, Hypnagogic Pop |
- |
0 |
 |
Last Days of Humanity |
 |
4:23 Minutes Body Disposal Missing Limbs Rennes 2003 (2020) [EP] |
 |
 |
Goregrind, Gorenoise |
- |
0 |
 |
Patareni |
 |
Infuzija Iluzija (2021) [Live] |
 |
 |
Grindcore, Noisegrind, Noisecore |
- |
0 |
 |
Merzbow |
 |
Mukomodulator (2021) |
 |
 |
Harsh Noise, Power Noise |
- |
0 |
 |
Death Grips |
 |
Gmail and the Restraining Orders (2021) [EP] |
 |
 |
Sound Collage, Free Improvisation, Glitch, Noise, Synth Punk, Digital Hardcore |
- |
0 |
 |
Bastard Noise |
 |
The Skull Scriptures (2021) |
 |
 |
Power Electronics, Harsh Noise, Death Industrial, Dark Ambient |
- |
0 |
 |
Bastard Noise / Merzbow |
 |
Retribution by All Other Creatures (2022) |
 |
 |
Death Industrial, Harsh Noise, Drone |
- |
0 |
 |
Vatican Gun Club |
 |
Dedacited (2022) [EP] |
 |
 |
Experimental, Industrial, Improvisation, Noise, Classical, Dub, Abstract, Avant-garde, ... |
- |
0 |
 |
Merzbow |
 |
Fantail Vision (2022) [Boxed set] |
 |
 |
Noise |
- |
0 |
 |
파란노을 (Parannoul) |
 |
After the Magic (2023) |
 |
 |
Shoegaze, Indie Rock, Dream Pop, Post-Rock, Indietronica, Emo, Noise Pop, Neo-Psychedelia |
- |
0 |
 |
Bastard Noise |
 |
Mantra of Desperation (2023) |
 |
 |
Death Industrial, Noise, Power Electronics |
- |
0 |
 |
Suppression / Bastard Noise |
 |
Infernal Legions (2023) |
 |
 |
Powerviolence, Noise |
- |
0 |
 |
Cryalot |
 |
Hell Is Here (Melt-Banana Remix) (2023) [Single] |
 |
 |
Experimental Rock, Noise Pop |
- |
0 |