 |
Eurythmics |
 |
Savage (1987) |
 |
 |
Synthpop, New Wave, Electronic |
- |
0 |
 |
Yanni |
 |
Chameleon Days (1988) |
 |
 |
New Age, Progressive Electronic, Contemporary Instrumental |
90 |
1 |
 |
Vangelis |
 |
Direct (1988) |
 |
 |
New Age, Progressive Electronic, Ambient, Progressive Rock |
- |
0 |
 |
Yanni |
 |
Niki Nana (1989) |
 |
 |
New Age, Progressive Electronic, Contemporary Instrumental |
- |
0 |
 |
New Order |
 |
Technique (1989) |
 |
 |
Techno, Electronic, Acid House, House, Ambient, Experimental, Alternative Rock |
- |
0 |
 |
Pop Will Eat Itself |
 |
This Is the Day...This Is the Hour...This Is This! (1989) |
 |
 |
Rap Rock, Electronic |
85 |
1 |
 |
Vangelis |
 |
Themes (1989) [Compilation] |
 |
 |
Film Soundtrack, New Age, Progressive Electronic, Ambient |
- |
0 |
 |
Genocide Organ |
 |
: Leichenlinie : (1989) |
 |
 |
Death Industrial, Power Electronics |
- |
0 |
 |
Moebius / Hans-Joachim Roedelius |
 |
Apropos Cluster (1990) |
 |
 |
Progressive Electronic, Ambient, Krautrock |
- |
0 |
 |
Depeche Mode |
 |
Violator (1990) |
 |
 |
Synthpop, Electronic |
80 |
1 |
 |
Yanni |
 |
Reflections of Passion (1990) [Compilation] |
 |
 |
New Age, Progressive Electronic, Contemporary Instrumental |
- |
0 |
 |
Vangelis |
 |
The City (1990) |
 |
 |
Progressive Electronic, New Age |
- |
0 |
 |
Yanni |
 |
In Celebration of Life (1991) [Compilation] |
 |
 |
New Age, Progressive Electronic, Contemporary Instrumental |
- |
0 |
 |
Plaid |
 |
Mbuki Mvuki (1991) |
 |
 |
IDM, Electronic, Techno |
- |
0 |
 |
Cabaret Voltaire |
 |
Colours (1991) [EP] |
 |
 |
House, Electronic, Tech House |
- |
0 |
 |
Con-Dom |
 |
The Eighth Pillar: A Confession of Faith (1991) |
 |
 |
Power Electronics, Death Industrial |
- |
0 |
 |
Genocide Organ |
 |
A Case of Ortophedic Fetishism (1991) [EP] |
 |
 |
Power Electronics, Death Industrial |
- |
0 |
 |
Genocide Organ |
 |
Save Our Slaves (1991) |
 |
 |
Power Electronics |
- |
0 |
 |
Genocide Organ |
 |
Save Our Slaves: the Rise of American Civilization (1991) [Video] |
 |
 |
Power Electronics, Death Industrial |
- |
0 |
 |
Massive Attack |
 |
Blue Lines (1991) |
 |
 |
Trip Hop, Electronic |
- |
0 |
 |
Wire |
 |
The Drill (1991) |
 |
 |
Electronic, Synthpop, Alternative Rock |
- |
0 |
 |
Coil |
 |
Love's Secret Domain (1991) |
 |
 |
Post-Industrial, Electronic |
- |
0 |
 |
Rick Wakeman |
 |
2000 A.D. Into the Future (1991) |
 |
 |
Electronic, Progressive Electronic, New Age, Synthpop |
- |
0 |
 |
Neil Young / Crazy Horse |
 |
Arc (1991) [Live] |
 |
 |
Experimental Rock, Noise Rock, Electronic |
- |
0 |
 |
Keiichi Suzuki |
 |
Suzuki White Report (1991) |
 |
 |
Electronic, Pop, Folk, Ambient |
- |
0 |
 |
Yanni |
 |
Dare to Dream (1992) |
 |
 |
New Age, Progressive Electronic, Contemporary Instrumental |
- |
0 |
 |
Laraaji |
 |
Flow Goes the Universe (1992) |
 |
 |
Ambient, New Age, Electronic |
- |
0 |
 |
Suicide |
 |
Why Be Blue (1992) |
 |
 |
Synthpop, Electronic, Synth Punk |
- |
0 |
 |
Jarboe |
 |
Red (1992) [Single] |
 |
 |
Darkwave, Electronic, Experimental Rock |
- |
0 |
 |
Jim Kirkwood |
 |
Castles of Sand (1992) |
 |
 |
Berlin School, Progressive Electronic, Dungeon Synth |
- |
0 |