 |
BLACKPINK |
 |
How You Like That (2020) [Single] |
 |
 |
K-Pop, Electropop, Pop Rap, Trap |
- |
0 |
 |
Mike Shinoda |
 |
Dropped Frames, Vol. 1 (2020) |
 |
 |
Instrumental Hip Hop, Electro House, Experimental Hip Hop, Future Bass, Drum And Bass |
- |
0 |
 |
Oliver Tree |
 |
Ugly Is Beautiful (2020) |
 |
 |
Pop Rock, Alternative Rock, Electropop, Indie Pop |
- |
0 |
 |
As Violence Turns Away |
 |
Technical Difficulties (2020) |
 |
 |
Metalcore, Post Hardcore, Electronicore |
- |
0 |
 |
Major Lazer |
 |
Music Is the Weapon (2020) |
 |
 |
Dancehall, Moombahton, Trap, EDM, Pop Rap, Afrobeats, Contemporary R&B, Electropop |
- |
0 |
 |
Vatican Gun Club |
 |
Onaip (2021) [Single] |
 |
 |
Electronic, Jazz, Rock, Non-Music, Classical |
- |
0 |
 |
Mick Rudry |
 |
Generate (2021) [EP] |
 |
 |
Ambient, Electronic, Post-Vaporwave |
- |
0 |
 |
You Me at Six |
 |
Suckapunch (2021) |
 |
 |
Electronic Rock, Pop Rock |
- |
0 |
 |
John Carpenter |
 |
Lost Themes III: Alive After Death (2021) |
 |
 |
Horror Synth, Progressive Electronic, Synthwave |
- |
0 |
 |
Nick Jonas |
 |
Spaceman (2021) |
 |
 |
Electropop |
- |
0 |
 |
Selena Gomez |
 |
Revelación (2021) [EP] |
 |
 |
Reggaeton, R&B, Electropop |
- |
0 |
 |
Bastard Noise |
 |
The Skull Scriptures (2021) |
 |
 |
Power Electronics, Harsh Noise, Death Industrial, Dark Ambient |
- |
0 |
 |
Julia Michaels |
 |
Not in Chronological Order (2021) |
 |
 |
Pop, Electropop, Pop Rock, Contemporary R&B, Dance-Pop |
- |
0 |
 |
Maroon 5 |
 |
Jordi (2021) |
 |
 |
Pop, Electropop, Tropical House, Hip Hop |
- |
0 |
 |
Billie Eilish |
 |
Happier Than Ever (2021) |
 |
 |
Downtempo, Electropop, Jazz-pop |
- |
0 |
 |
OneRepublic |
 |
Human (2021) |
 |
 |
Pop, Pop Rock, Contemporary R&B, Electropop |
- |
0 |
 |
Dreamcatcher |
 |
Apocalypse : Save us (2022) |
 |
 |
K-Pop, Pop Rock, Contemporary R&B, Electronic Dance Music, Dance-Pop |
- |
0 |
 |
Machine Girl |
 |
Neon White: Part 2 - "The Burn That Cures" (2022) |
 |
 |
Video Game Music, Electronic, Electronic Dance Music |
- |
0 |
 |
Cryalot |
 |
Hell Is Here (2022) [Single] |
 |
 |
Electro-Industrial, Deconstructed Club |
- |
0 |
 |
Cryalot |
 |
Touch the Sun (2022) [Single] |
 |
 |
Bubblegum Bass, Electropop |
- |
0 |
 |
Cryalot |
 |
Labyrinth (2022) [Single] |
 |
 |
Future Bass, Alt-Pop, Electropop |
- |
0 |
 |
Cryalot |
 |
Icarus (2022) [EP] |
 |
 |
Electropop, Electronic Dance Music, Bubblegum Bass, Future Bass, Deconstructed Club, Glitch Pop |
- |
0 |
 |
clipping. |
 |
Remxng 2.1 (2022) [EP] |
 |
 |
Electronic, Experimental, Ambient, Experimental Hip Hop, Electro-Industrial, Trap [EDM] |
- |
0 |
 |
clipping. |
 |
Remxng 2.2 (2022) [EP] |
 |
 |
Electronic, Experimental, Glitch Hop, IDM, Experimental Hip Hop |
- |
0 |
 |
clipping. |
 |
Remxng 2.3 (2022) [EP] |
 |
 |
Electronic, Experimental, Experimental Hip Hop |
- |
0 |
 |
clipping. |
 |
Remxng 2.4 (2022) [EP] |
 |
 |
Electronic, Experimental, Sound Collage |
- |
0 |
 |
Bastard Noise |
 |
Mantra of Desperation (2023) |
 |
 |
Death Industrial, Noise, Power Electronics |
- |
0 |
 |
Cryalot |
 |
Icarus Remixes (2023) [EP] |
 |
 |
Electronic Dance Music, Noise Pop, Hyperpop, Trance, Future Bass, Glitch Pop, Experimental Rock |
- |
0 |
 |
††† |
 |
Goodnight, God Bless, I Love U, Delete. (2023) |
 |
 |
Synthpop, Electropop, Darkwave, Electro-Industrial, Alt-Pop |
- |
0 |
 |
Kim Gordon |
 |
The Collective (2024) |
 |
 |
Industrial Hip Hop, Experimental Rock, Noise Rock, Trap, Industrial Rock, Power Noise, Electro-Industrial, No Wave |
- |
0 |